Siegfried and Otto were extremely put out that the Fuehrer had gone down into his bunker and put a bullet through his brain.
There they had just created the perfect prototype of a robot soldier, ready to goosestep across Europe, and the war was over. What on earth were they ever to do?
Within a year they had migrated to the United States with a brilliant new idea for their robot. Siegfried and Otto reworked the circuit to transform the goose-stepping marvel into a tap-dancing fool. They envisioned creating entire theater companies to tour with No No Nanette in every major city in America, three shows daily. Ordinary human dancers had to eat, sleep and insist on being paid, while inconveniently coming up lame with pulled muscles and sprained ankles.
“He is a masterpiece!” Siegfried exclaimed.
“Perhaps we should lose the mustache and the hair down the forehead,” Otto offered.
“But why? He is the exact image of the Fuehrer!”
“He looks like one of the Americans’ Three Stooges, Moe,” Otto replied. “He would not be taken seriously.”
“Very well. Perhaps different color of hair?” Siegfried asked
“Ah! Make him a blond!” Otto jumped with glee.
“He will be the perfect auto robot!”
“Und why should he be named for you?” Siegfried demanded. “I am just as responsible for his creation as you are!”
“What do you mean, named for me?”
“You said to name him Otto robot,” Siegfried responded.
“I said auto robot as in automated robot,” the short bald-headed scientist said, stomping his foot. “Not Otto robot!”
“You should not speak with such a thick German accent when we are discussing business.”
“Let’s get back to the topic at hand,” Siegfried said, opening the back of the dancing robot with a screwdriver to make final adjustments. “Ah, that is it.” He closed the panel and pushed the bright red button between the robot’s shoulder blades.
The robot began a perfect tap routine with shuffle ball change and butterfly jumps. Otto’s eyes widened.
“Und what, may I ask, is that?”
“Tap dancing! American tap dancing!”
Otto stomped again. “Nein! That is sissy tap dancing!” He grabbed the screwdriver from Siegfried’s hand and went to the robot to punch the red button. “I thought we had settled this question weeks ago.”
“Nein. We just stopped talking about it,” Siegfried replied. “I made the final decision to make the robot dance like Fred Astaire. Und Fred Astaire is not a sissy! He is a happily married man. Millions of Americans love his suave dancing style.”
“Scheitze! Millions more Americans love the style of Gene Kelly!” Otto threw open the panel, stuck in the screwdriver and adjusted the panel. “Bended knees! Wider steps! Dance like a man, for God’s sake!”
When Otto punched the button the robot bent its knees and flew across the floor, tapping its little feet off. Siegfried ran to his partner and wrested the screwdriver from his hand and turned to the dancing robot as it began bouncing off the walls.
“Nein! Nein! No No Nanette cannot be danced like that!” Seigfried screamed.
Before Siegfried could reach the robot to punch its red button Otto jumped on his back. “No sissies in No No Nanette!”
The two scientists rolled around on the floor as the dancing robot entered its final sixteen bars which included a pirouette and clicking of heels. Unfortunately on the second heel click the robot tripped over Siegfried and Otto, collapsed and its legs fell off. The scientists stopped fighting, stood and surveyed the damage.
“I never liked No No Nanette in the first place,” Otto said.
“Ja. Too American,” Siegfried agreed. “Besides, we would have had to pay royalties.”
Otto, who now possessed the screwdriver, tapped Siegfried’s arm with it. “Ballet. We pick a composer from the eighteenth century, and the music is ours for the taking.”
“Just like Poland!”
Each picked up a leg and went to the work table. They went back for the torso.
“Of course, it will have to be programmed to dance in the style of the Bolshoi Ballet,” Otto said matter of factly.
“Bolshoi?” Siegfried replied. “But I prefer Kirov!”