Monthly Archives: June 2017

Barter

Clem lived all his life in the mountains of southwestern Virginia, and he didn’t know what to make of all this talk about a Depression. He, his wife and kids got along very well, thank you, in their two-room cabin up in the holler. He planted a patch of tobacco that paid off the damn banker every year, raised a passel of pigs that made good eating every fall, and cooked up the best moonshine for miles around. His wife tended garden so they always had taters, maters and squash, not to mention corn needed for the moonshine. The kids helped their ma with the garden and took care of the chickens. A good person right with the Lord shouldn’t want more than that.
One day he was down at the country store talking around the cracker barrel when the preacher’s wife piped up that she didn’t know if she liked the idea of this brand new theater in downtown Abingdon.
“Dadburned movie pictures ain’t worth talking about.” Clem spat some tobacco juice in a corner, which was shiny and black from years of being spit in.
“Well, Clem, I ain’t talking about no movie picture show,” the preacher’s wife replied in a huff. “It’s like real-life people standing on a stage and spouting lines, prancing about, like they thought they was something fancy.”
“Oh, they’ve been doing that for years and years.” Clem spat again. “They’ve been doing that before there warn’t no motion picture shows. Don’t you know no better than that?”
“Of course, I do, Clem. But I don’t think it’s fitting for a man to stand in front of a bunch of women and children with sweat rolling off him, so close you can see it dripping off his nose. With all that pomade in his hair, glistening black.” The preacher’s wife fluttered her eyes and fanned herself. “Now what was it I was saying?”
“You was all upset by those men sweating on the stage.” Clem chuckled. “I don’t know why you’re getting so hot and bothered about it all. Nobody around here is fool enough to waste their money to go see it.”
“That’s just it, Clem,” the preacher’s wife said. “They ain’t charging no money at all. You bring in a chicken or a ham shank and you get in to see the show.”
“You don’t know what you’re talking about.” Clem spat a really big wad this time; in fact, he didn’t have any tobacco left in his mouth. He might as well go on home.
“But that’s the truth Clem,” the old storekeep Zeke interjected as he lumbered around the counter with his broom. “It’s these damnyankees from New York. They can’t get no work up there so they opened up this theater down here, and they do their playacting for food and might near everything else.”
“Is that so?” Clem took a snot rag out of his pocket and wiped his mouth. “They’re going to starve to death. Ain’t nobody with no common sense that’ll waste a perfectly good chicken on such foolishness.”
“They got a full house every night and two shows on Saturday and Sunday,” Zeke explained.
“Defaming the Lord’s day like that. Me and the ladies Bible league are planning to march with signs and scream Scripture at the sinners as they go in next Sunday,” the preacher’s wife announced.
“Maybe some menfolk should go on Friday night first so you ladies don’t make yourselves look silly,” Clem said, halfway to himself. “I got a leftover cured ham hanging in the barn.”
On Friday night, Clem showed up at the Barter Theater in downtown Abingdon with the cured ham tucked up under his arm. He didn’t think it would be right for the wife and kids be exposed to all this foohfrah until he saw it first. The theater people seemed right glad to see him and his ham and took him to a seat down front. They told him the name of the play was Hamlet. Now that might be right funny—a play about baby pigs.
When the curtain came up, Clem was disappointed. It wasn’t about no baby pigs at all. He could hardly make out what they were saying. It was English all right, but not decent English like they talked in the mountains, but that there fancy English spoke in England. The best he could make out it was about this here college boy who came home to find his daddy dead and his mama married his uncle, and he’s mad because they ate up all the food from the funeral at the wedding, and he didn’t get nothing to eat. Then this college boy sees his daddy’s ghost who tells him his uncle killed him so he could marry the mama.
By this time Clem was fidgeting in his chair something bad. He never had no use for college boys in the first place. If he wanted something to eat he should have gone out and shot a couple of squirrels and made himself a stew. Another thing this college boy did wrong was that he had this real pretty girl who wanted to marry him, but he went off and told her to become a nun. And that poor girl got so upset about being told to become a nun that she jumped in the creek and drowned herself.
Clem would have just gotten up and stormed out of that there theater, but they had set him down in the front row, and he didn’t think it was proper for him to stand up and keep everybody else from seeing the show. It didn’t make no sense at all. At the girl’s funeral, the college boy’s mama says “Sweets to the sweet.” That college boy jumped down in the grave thinking he was gonna get to eat the candy he thought his mama had thrown on the casket, but it turned out she threw in flowers instead. Clem decided the boy wouldn’t have been so moody if his mama just fed him proper.
The end of the show didn’t make any better sense. The college boy and the girl’s brother started a fight right there in front of everybody, and his mama got so upset they’re going to get blood on the good rug that she poisoned herself. When she dropped dead, the college boy decided to take it out on his uncle and ran him through with his sword. Then he dropped dead, probably because he never did get a decent meal through the whole play.
As he was walking out, Clem decided he was going to make a stink over this theater thing.
“Where’s my ham?” he bellowed out.
An older fellow came out of a little office and grabbed Clem by the elbow and took him through another door. Clem decided he got seen to real fast because this man didn’t want the other people to get the idea of asking for their stuff back too. Pretty soon Clem found himself behind the stage where they kept all the people who had put on the play.
“That was the worst dang thing I ever done see,” Clem announced. “I want my ham back.”
Those people looked awful worried, and they stepped away from this table with all the vittles that had been brought in that night. There Clem saw the college boy with a big chunk of his ham hanging out of his mouth.
“Oh forget it,” Clem said as he turned for the door. “He needs it more than I do.”

Toby Chapter Twenty-Three

Previously in the novel: West Texas farmboy Harley Sadler toured the High Plains in a traveling melodrama show, married Billie, opened his own show and delighted in his daughter Gloria. The Great Depression stole his successful business, his daughter died in childbirth, his wife sank into alcoholism and he lost the last of his money on wildcat oil drilling.
Mitch Sawyer, the foreman on Harley’s latest foray into wildcat oil drilling, stood in the back of the tent auditorium watching the end of one of the time-worn melodramas. It had been years since he had seen Harley on stage. Mitch thought the actor was too old to be playing the youthful sidekick, but all he could do was shake his head. He had bad news to deliver, and as the curtain went down, he steeled himself as he headed backstage. Actors directed him to the dressing room where Harley sat slumped over his table removing this makeup.
“Harley?” he asked hesitantly.
He looked around and stood. “What’s the problem, Mitch?”
“What makes you think there’s a problem?” He was a terrible liar.
“Well, the oil rig is three hours away from here,” Harley explained. “So when my foreman shows up I figure there’s a problem.”
Mitch did not know how to begin. “We need you there tonight.”
“Tonight?”
“We’re about to hit something,” he began with a sigh. “If it’s oil, fine, but if it’s water, we’re bust. I think you ought to be there to call it quits.”
Harley nodded and finished changing his clothes. They walked through the backstage area when Billie stopped them.
“What’s going on?” she asked.
“Billie, honey, I’ve got to go out to the rig tonight.”
“But that’s a long way.” She wrinkled her brow.
He shrugged. “I have to go.”
Mitch followed Harley out but looked over his shoulder in time to see Billie pull a small whiskey bottle out for a swig. So the rumors were true, he thought. She really did like her liquor. The ride in his pickup truck down the long straight highway was mesmerizing. Mitch glanced over at Harley who was nodding off. He tried not to think about the situation too much.
In the business circles of wildcatters, Harley Sadler was well known as an easy paycheck. He was so nice to work for because he did not understand seismology. He was in it for the thrill of the risk. All a driller had to be careful about was drinking on the rig. Harley hated drunks, they said. By this time in the late forties most wildcatters made excuses not to work for Harley. It was like taking candy from a baby, they said.
So when Mitch got a phone call from Harley Sadler, he knew he must be the last oilman on the list. Times were hard. Mitch told himself. He had a family to feed. As he stared at the looming white line down the highway, Mitch fought back tears. When they finally arrived at the drill site on the high plains, he nudged Harley.
”We’re here,” he whispered.
Harley stirred, rubbed his eyes and sat up. “Okay, let’s do it.”
They walked to the brightly lit derrick. A worker trudged over to them.
“Any news, Ike?” Mitch asked.
“Struck mud.”
“How long ago?” Harley’s voice was flat and passive.
“About an hour,” Ike replied. “We kept on drillin’, hopin’ to hit somethin’ else but we ain’t.”
Mitch couldn’t think of anything else to say. He stared at Harley as the old man walked closer to the derrick, becoming a hunched-over silhouette against the glaring light. Harley turned and smiled a smile that Mitch found vaguely familiar. Then he remembered. It was the Toby smile.
“Well, boys,” Harley announced, “let’s turn it off before it completely drains me.”
Harley wanted to sit in the truck until the last light had been extinguished and the last crewman had left. Without a word Mitch knew it was time to start the engine. Soon he was making good time getting Harley back to his show. The old man began snoring softly. Mitch did not want to consider how much of his retirement funds would remain after all the drilling bills were paid. Hot tears rolled down his rough cheeks.
Hell of a way to make a living.

Cancer Chronicles

Coeburn

I came across a picture postcard of downtown Coeburn, Virginia, where my wife Janet grew up. If it had been a little bit larger the picture would have shown her house just off to the left.
My eyes, however, went to the main focus of the photo which was the downtown street with the stores on one side and the little mountain river on the other with a couple of arched bridges across it. Back in the late fifties or early sixties, the little river overflowed its banks and almost swept downtown away. That’s when the Tennessee Valley Authority came in and dredged the river, created a little park and put in the arched bridges.
By 1970 the town moved this old log cabin to the park and renovated it to be the community center. One Saturday afternoon the town dedicated a fountain in front of the center. I was the area editor for the Kingsport, Tenn., newspaper so I drove an hour up into the mountains to report on the gala occasion.
I stood on the bridge to take some pictures then moved in closer when the mayor’s wife broke a bottle of champagne on the fountain as the high school band struck up “Everything’s Coming Up Roses.” Coeburn only had two thousand people so turning on the water at the community center fountain was a big event.
Janet and I didn’t actually meet for another two months, but by happenstance she saw me that day. She and her mother attended the festivities—rather, her mother dragged her there because everybody else who was anybody was going to be there so they were too.
“Do you know who that man is on the bridge?” My future mother-in-law always had a sharp eye for details at major social events.
“No, why should I?” Janet replied.
On reflection after all these years I take comfort in her disinterest in a random stranger standing on a bridge. I also took comfort when she told me later she had been impressed with my writing in the newspaper. She said she assumed I was some forty-year-old man who was already married. It wasn’t until we met face to face and talked two months later that she took notice.
This is my advice to anyone going through a loved ones’ things after cancer or some other disease has taken them away. Don’t think of it as a sorrowful duty to be endured. Think of it as a new opportunity to experience the thrill of why you fell in love in the first place.

Lincoln in the Basement Chapter Thirteen

Previously in the book: Edwin Stanton places President and Mrs. Lincoln under guard in the White House Basement with Pvt. Adam Christy at the door. Christy does not know he’s about the meet the love of his life, Jessie Home, a volunteer nurse at an Army hospital.
Jessie’s eyes focused on the long expanse of the Mall. Cordie’s comments on men’s bodies turned her thoughts to the evening after her father’s death. She was in the morgue, saying good-bye and explaining to him why she had signed the indigence form. The burial would have taken all their money, and none would be left to pursue the dreams her father had for her. Gazing at his body after she lifted the white sheet, she thought what a fine-looking Scotsman he was. No one would have ever guessed he had a weak heart. Her mother tried to tell Jessie with her last breath, but, in her sorrow, she had forgotten the admonition.
“Miss, are you done?” a man asked.
Jessie jumped as she looked up to see the man in his thirties, fairly nondescript except for an aloof gaze in his eyes. Blinking she did not know how to respond, still in grief.
“I’ve a family waiting supper on me,” he informed her. “I want to lock up.”
“He was me father,” she replied in a whisper.
“Well, I’m a father too, and my children want to see me.” His face remained a blank.
“Very well.” She looked back at her father’s body. “When will the funeral be?”
“Funeral? What funeral?”
“I know it’s just a potter’s field, but there’s going to be a burial, and I want to be there.”
“There ain’t going to be a funeral, miss. This is an indigence case.”
“Funeral, burial, whatever ye call it, I want to be there.” She was beginning to be impatient.
“I told you,” he repeated harshly, “this is an indigence case, no funeral, no burial, no nothing.”
“No burial? Ye have to put him in the ground somewhere.”
“This is New York City, miss. Land is scarce, and it can’t be wasted on indigence cases.”
“I don’t know what you mean.” Her brow furrowed as tried not to lose her temper.
“Didn’t they tell you? We toss indigent bodies into the Hudson River.”
“What?” A moment passed before she could collect her thoughts. “Ye can’t do that.”
“Oh yes we can. You signed the form.”
“But I didn’t know what I was signing!”
“Fine. Have your funeral parlor pick up the body tomorrow morning. We can’t keep it around here.”
“I don’t have a funeral parlor.”
“Then you better get one fast.”
“I certainly will.” Jessie turned to leave as she thought of something. Looking around she asked, “And how much will a funeral parlor being costing me?”
“I don’t know. Now will you leave?”
“Yes, I will, and tomorrow morning I’ll be here with the most proper funeral parlor man ye ever did see.”
Jessie went to several parlors the next day, each more expensive than the last. She visited a couple of cemeteries, finding the cost of a plot even more. She could buy a farm in Scotland, she told them, and they told her to go back to Scotland and buy one. Giving her father a fitting funeral and final resting place would take all the money they had saved and put her in debt for another year. What would her parents do, she fretted, walking down the street, absently in the direction of the morgue. Such questions were foolishness, she told herself, because both of them were dead and could not give her advice.
Turning a corner, she repeated the thought that they were dead and incapable to help her. They would never know that fish would tear at his flesh. They were unable to rebuke her for putting her own future first. Entering the morgue, she went to the office to tell the man her decision.
“Very well,” the man said. “It makes no difference to me.”
“May I see him one last time?”
“Don’t take too long.”
Jessie stared at her father’s face, touching his cold cheek, not knowing whether to apologize or to tell him she made a good deal for herself; instead, she walked away. Soon she arrived at a mansion on Park Avenue to begin a day of cleaning. Within a few minutes she broke down in tears.
“What’s wrong, darling?” the cook asked.
“I can’t stay here,” she replied softly. Without giving details, she told the woman her father had died and she could not stand the thought of living in the horrible city that took his life.
“Go to Washington. There are plenty of jobs there. You can make good money.”
“Good money,” she repeated absently. The idea of money repelled her now. She did not want more money. She had enough on which to live simply for some time. Jessie thought this was the moment to do penance for her awful deeds.
“They have hospitals in Washington, don’t they?”
“Oh, but they don’t pay nothing,” the cook replied. “They only take volunteers.”
“Good, then I’ll work for nothing. The poor wounded boys need me.”
The cook must have thought her a fool, Jessie believed as she walked with Cordie, but her atonement made her feel better, and she hoped her parents, looking down from above, forgave her.
“The fog is thick tonight,” Cordie said as they crossed the iron bridge over the old city canal, now a cesspool.
Her comment brought Jessie gratefully back to the present, not wanting to dwell on the fate to which she had condemned her father’s corpse.
“We’re finally getting there,” Cordie said. “I hope Gabby is waiting for us.”
Jessie smiled and nodded at her, even though she was still recovering from her traumatic memories. As they approached the last block to the Executive Mansion, Jessie saw a slender male figure in the haze. Her heart began to beat faster, for the approaching man looked like her father—the same size, red hair glinting in the street lamp light. As she walked closer, her heart relaxed; this man, though similar in shape, did not have her father’s strength. She sighed. It would be nice to have a beau who almost looked like her father.

James Brown’s Favorite Uncle The Hal Neely Story Chapter Fourteen

Previously in the book: Nebraskan Hal Neely played in dance bands in the Midwest and California before joining the Army in World War II. After he graduated from college he worked for both Allied Record Manufacturing and King Records where he met the irascible Syd Nathan and the incomparable James Brown.

Someone once said, “Success has a thousand fathers, but failure is a bastard.” James Brown was one of those successes with a thousand fathers. Hal Neely in his memoirs dismissed the claim that Ralph Bass discovered and put Brown under contract Brown. He said he was visiting King that day when a package with a demo record arrived in the mail from a nightclub owner in Macon, Georgia.
It may well be true that the first time Neely heard a recording of James Brown’s voice was in Cincinnati but other music historians say that Ralph Bass heard Brown first while he was at the King branch office in Atlanta Georgia early in 1956. Even he wasn’t the first King employee to hear Brown sing. The office manager Gwen Kesler told Bass he had to hear this.1
“Who the hell was that?” Bass asked. “I had never heard anything like that. It was so different. My theory as a producer has always been: Let me find someone who’s different and at least I have a chance.”2
That chance Bass wanted to take was a young man who “wasn’t supposed to be James, wasn’t supposed to be Brown and wasn’t supposed to be alive. You see,” Brown said in his 1986 autobiography, “I was a stillborn. My mother and father lived in a one-room shack in the pinewood outside Barnwell, South Carolina.”
However, what a person writes in his autobiography often cannot be taken at face value. Critics accused Brown of half-truths, self-justifications and re-writing history.3 For example, James Brown said he was born May 3, 1933, in Bramwell, South Carolina; however, his birthday was also listed as June 17, 1928, in Pulaski, Tennessee, birth records. A Penthouse magazine article listed his birth date also in 1928. The 1933 birthdate has been deemed more likely to be accurate because “if he had been born in 1928 he would’ve been 21 years old when first imprisoned and 24 when released. In fact, he was still legally a minor, under 21, when paroled in 1952.” Some musicologists think he was trying to make himself out to be younger than he really was by releasing to the public birthdates.4
By the time he was 15 years old, Brown had grown proficient in breaking into cars and stealing whatever he could find inside; however, his luck finally ran out and the police caught him in the spring of 1949. Young James was sentenced to eight to sixteen years in the Georgia Juvenile Training Institute in Rome, Georgia. While there, Brown met Johnny Terry who eventually became a member of the Famous Flames. In prison they formed a gospel quartet with two other inmates. Two years later in 1951, he was transferred to the Alto Reform School near Toccoa, Georgia.5
A twist of fate led Brown to meet one of his best lifelong friends at the Toccoa reform school. That friend was not one of the inmates like Brown and Terry, but the valedictorian of the local high school who brought his a cappella gospel singers to perform for the prisoners.
Bobby Byrd was everything that James Brown was not – educated, respectable, religious and an all-around nice guy.6 Byrd’s family vouched for Brown and guaranteed a job for him at a local car dealership which led to his parole in 1952. Brown almost blew this opportunity when he “borrowed” a customer’s Jeep and then wrecked it. Only after further assurances from the Byrd family did the judge agree to let Brown continue on parole.7
Another person—other than Neely and Bass–who claimed responsibility for James Brown’s career was Barry Trimier, Toccoa’s only professional black music entrepreneur in the1950s. He claimed to be the group’s first booking agent and manager. He also ran a café, club and pool room called Barry’s Recreation Center. Trimier worked with the group from 1954-55. 8
Brown’s early career had a major advancement when he and his group met Little Richard at Bill’s Rendezvous Club in Toccoa in 1955. The Flames asked Richard if they could play during intermission. “I could hear them from backstage and what they were doing to the audience. James sang ‘Please, Please, Please.’ I thought they weren’t going to give me my microphone back!” Richard said.9
Fats Gonder, Richard’s band manager, recommended the Flames to Clint Brantley, Richard’s manager in Macon. A casual passerby might mistake him for the janitor of his nightclub, the Two Spot, but he was an influential character in the early years of rock ‘n’ roll. The new arrangement did not seem to bother Trimier. “He was somebody unusual,” Trimier said about Brown. “He had to have people like Clint Brantley to take him further. There was no way in the world that I could go out there and socialize.”10
Brantley immediately began booking the Flames all around Georgia and South Carolina, but the group really took off when Little Richard moved to California and to a new agent after his big hit, “Tutti-Frutti.” The Flames took the contracted dates which Brantley had originally signed for Richard.11
The Flames had been playing their first record “Please, Please, Please,” refining it for two years. Byrd said that the song had evolved into a blisteringly emotional, hypnotic fervent supplication which became a vehicle for Brown’s gripping showmanship.12
One of the demo records, cut at station WIBB in Macon in November 1955, wound up at Southland Record Distributing Company in Atlanta where it was forwarded to the King branch office. “It’s a monster,” Ralph Bass praised the record, according to Brown’s autobiography. “Where can I find these guys?”
Bass said he went to Macon and called Brantley. “Now at eight o’clock you parked your car in front of this barbershop, which is across the street from the railroad station. When the lights go on and the blinds go up and down after they go down you come in,” Bass reported Brantley as saying.13 The reason for such a bizarre request was that the white establishment in Macon did not want strange white people–perceived to be outside agitators–to come into town and have any social interaction with “their” Negroes. “An out-of-town white cat could be in trouble in those days,” Bass said. Brantley was taking precautions for Bass’s safety. Once inside Bass watched James Brown and the Flames perform. He paid Brantley $200 and within a few months the Flames were on their way to Cincinnati and the big-time.14
There are, however, a several other versions—all equally unsubstantiated–of how James Brown and the Flames were signed to a contract with King Records.
In one account, Bass was driving through Atlanta listening to the radio when he heard “Please, Please, Please” and rushed to Macon to close the deal.15
In a second story, rhythm and blues pioneer Henry Stone said he was in Miami when Syd Nathan called him about this hot new record being played on the airwaves around Macon. Before Stone could drive to Georgia, Bass–who supposedly was in Birmingham, Alabama–caught wind of the new sensation and got to Macon first.16
A third report had Leonard Chess of Chess Records mailing a contract to Brantley and announcing that he was flying down to Macon immediately. However a heavy snowstorm kept the plane grounded, and Bass beat him to Brantley bearing an offer that exceeded the Chess contract.17
A fourth version appears in Hal Neely’s memoirs in which he said a Macon disc jockey sent the demo record to Syd Nathan and King Records in Cincinnati, and he was in the room when the record was played. “In my opinion,” Neely remembered Nathan saying, “that’s a horrible record, but that kid singing lead has something, and that song is a hit song.” Neely also said Bass was in the room at the time, and Nathan sent him to Georgia to check the group out. While Bass said he signed James Brown and the Flames to a contract, Neely insisted only Syd Nathan himself could sign contracts for King and its subsidiaries.
We will never know what truly transpired.
As the wise man said, success has a lot of daddies.

Footnotes

1 Rhodes, Don, Say It Loud! My Memories of James Brown, The Lyons Press, Guilford, Connecticut, 2009, 26.
2King of the Queen City, 89.
3Brown, Geof, The Life of James Brown, 5.
4 Ibid., 15,16.
5Ibid., 19.
6 Smith, R.J., The One, The Life and Music of James Brown, Omnibus Press, London, 2008, 50.
7The Life of James Brown, 20.
8The One, 58.
9 Say It Loud, 22.
10The Life of James Brown, 30.
11The One, 67.
12 The Life of James Brown, 39.
13The One, 74.
14 Ibid., 73-74.
15 Say It Loud, 26.
16 Ibid., 26.
17The Life of James Brown, 39
17Say It Loud!, 26.
18The One, 72-74.

Another Time

He sat in the corner of the restaurant sipping on his glass of white wine, his eyes transfixed on the blonde in the sleeveless white dress, and considered his options.
For several weeks, he traded e-mails with her. They found each other on a website for connoisseurs of fine living. They both liked clothing made of silk, Egyptian cotton and cashmere. The textures were caressing and soothing. She, in particular, liked fur, no matter what others might think. He agreed he preferred lambskin and suede leather. Each expressed a disdain for beer, preferring a good wine or blended whiskey. The best beef was Kobe, and the best seafood was lobster, although those foods should be enjoyed in moderation. They wanted their tailored clothing to drape properly. And they both loved old, classic movies.
What a coincidence it was when they discovered they both lived in the same quaint little town on the outskirts of a major metropolitan center. Where would be a better place to live? Lovely old homes with endless restoration possibilities, an art community, antique shops and intimate cafes. And an international airport an hour’s drive away which could spirit them to Europe at a moment’s notice. Finally, they agreed to meet for each thought the other must be as fascinating in person as in e-mail.
“I know,” she wrote, “let’s meet at 512 South for lunch on Thursday. It’s my favorite bistro.”
“How will I know you?” he replied.
“Well, I’m blonde and have blue eyes. I’ll be wearing my white sleeveless Vera Wang and ermine stole. How will I know you?”
After a brief hesitation he wrote, “I look like a movie star of a few years ago.”
“How exciting! Who?”
“I’ll be the only familiar face in the place. Trust me.”
Arriving early, he ordered a glass of Reisling and finished reading his newspaper. When she entered the café, he knew immediately it was her—white dress, fur wrap and the face of an angel. Sitting up he smiled, anticipating her recognition. She looked around the room until she stopped to stare. Walking up to a table, she leaned over and smiled.
“Well, hello there,” she said in a purr.
A thin young man in a T-shirt and torn blue jeans looked up.
“When you said you looked like a movie star from a few years ago, you were right. Except it was more than a few years ago. You look just like James Dean.”
He watched the young man’s face. A glimmer of a shadow crossed it, before he smiled broadly.
“Sure, babe. James Dean. I get that all the time.”
She slid into the chair next to him, cupped her chin into her slender palm, and stared at the young man who grinned back.
The man with the Reisling considered walking to the table and telling her he was the man she was looking for, but discretion warned against it. He should have been more specific, he told himself. He should have said the movie star he looked like was Gene Wilder. Back in his day Gene Wilder was somewhat romantic, in a funny, poignant sort of way.
“Hey, babe, I’m waiting on my burger plate. You want one too?”
“Sounds yummy.”
“Want a beer too?”
“More yummy.”
Well, she misrepresented herself, too, he thought, as he finished his wine and motioned to the waiter to deliver his check. He smiled as he watched her giggle and scoot her chair closer to the young man with the intriguing smile and T-shirt. The next time he went to the website for fine living he would be more forthright about which movie star he resembled.
Another time. Perhaps another website.

Toby Chapter Twenty-Two

Previously in the book: Farmboy Harley Sadler had a wonderful career as a West Texas tent showman, making the farmers laugh and helping them financially too. All that did not keep Harley and his wife Billie from having their share of trouble and sorrows. In their old age they try to reclaim the fun with one last tour.
The next morning the actors assembled on stage for a read through of “Spit It Out, Sputters” under Sam’s direction. One of the actresses held up her hand to get his attention.
“I’ve read through this script several times trying to learn my lines,” she said, choosing her words carefully, “and I’m having a hard time with it. I have a brother who stutters, and it doesn’t seem funny to me.”
A couple of others murmured in agreement.
“Margery, this was funny thirty years ago,” Sam said, “and it’s still funny now.”
“But,” she persisted.
“You’ve gotten to know Harley Sadler pretty well in the last few weeks, haven’t you?” Sam asked.
“Yes, but—“
“What do you think of him?”
Her eyes widened. “Why he’s the dearest, sweetest old man I’ve ever met, but—“
“Do you think he’d ever make fun of somebody on the down and out?”
“Of course not—“
“Then wait ‘til you hear Harley say those lines. Sputters may have trouble talking but what he says is true. I know these lines could come out sounding mean but Harley will make people laugh, cry and cheer all at the time. It’s called acting. You should be taking notes instead of taking exception.”
“Yes, sir,” she said softly.
Sam cleared his throat. “Harley and Billie know these plays backwards and forwards so it’s your job to be up to speed when they come in. Billie’s pulling double duty with handling the books and Harley has extra duties too, so just keep your heads on your own business.”
Joe the producer walked down the aisle. “Is David here yet?”
“No, and it’s not fair to these people to show up for rehearsal on time and the hero is AWOL.” Sam pointed at the young actress he had just lectured. “Margery is on time and it’s obvious she’s been studying her script. How can she be the leading lady if her leading man isn’t here?”
Joe heard laughter behind him. David staggered through the tent flap. Joe could not believe what he saw. He rushed to the actor’s side. “Dave, have you been drinking this morning?”
“Why not? Our little Susie leading lady does.”
“Sshh!” Joe hissed.
All the actors on stage began whispering. Sam came down the aisle to confer with Joe. “I think you better keep him out of Harley’s sight. He’s already been complaining to me about David’s performance last night.”
“Well, when Harley shows up, tell him Dave’s got a cold or something. I’ll have him sobered up by this afternoon’s rehearsal.”
“A cold? Harley’s heard that one before.” Sam shook his head and walked back to the stage.
Joe grabbed David by the elbow to shove him outside. “Let’s go.”
Sam shook his head as they disappeared from the tent. “Okay. Let’s take it from the top and go as far as we can. Remember! Let’s troupe!”
Outside, Joe led David to his car. “Here, let me drive you back to the hotel.”
“Never mind about driving me,” David slurred as he bulled his way behind the wheel. “I can drive just fine!” He pretended he was driving, careening in and out of traffic, and then play-acted he was in a head-on collision. David started all over with his drunken performance, thinking he was hilarious–until he saw Harley standing behind Joe.
“This man is fired.” Harley’s voice was soft but harsh. He turned to storm away.
Joe ran after him. “Aww, Harley, the kid’s just—“
“A drunk.”
“But Harley—“
“He’s out.” He quickened his step.
The actors on stage froze in place when Harley marched down the aisle. They all tried to sound cheerful as they greeted him. Burnie called out from the quarter pole.
“Hey, Harley! I can still do the splits!”
His brother-in-law kept going, not acknowledging anyone until he mounted the stage and pointed at Sam. “You’re playing the hero in Sputters.”
“Yes, sir,” Sam replied and then turned to his cast. “You people are very lucky. I’ve played this role about as many times as Harley’s played Sputters.” He forced a laugh. “And no wisecracks about how I’m too old to be Margery’s boyfriend.”
Harley pushed through a curtain into the backstage area where Billie sat at the bookkeeper’s desk. She jumped and smiled nervously.
“Hello, dear.”
Harley ignored the fact her hand nervously went to her purse on the corner of the desk. He knew she had already been drinking that morning. Harley went straightaway to his dressing table and pulled a worn Bible from a drawer. Expertly opening it to the Book of Job, he moved a shaking finger over verses about terrible things happening to good people. He leaned back and soulfully searched the top of the tent.
“Vanity. All is vanity.”

Visitors in the Sunflower Field

There I was under my tent canopy telling stories at the farm as visitors went through the five-acre sunflower maze. A group of young adults came up and sat down.
They were in that delightful age between twenty and early thirties when no one could accurately tell how old they were. All of them were about the same height, had straight brown hair and wide friendly brown eyes. Their faces were a pleasant olive color with no blemishes. They could have been of Hispanic background, Italian or from the Middle East. They had pleasant smiles and impeccably clean white shirts and pants.
One young man, who acted as the leader, took out his smart phone.
“Do you tell your own stories or something else?” he asked, revealing perfectly straight white teeth.
“I tell stories I make up and sometimes I steal stories from people who have been dead for a long time. Right now I’m telling Native American legends.”
“I like to ask questions,” the leader said, holding up his phone, ready to punch the record button.
“Oh sure.” I was hoping they would notice I had a basket with a sign “Storytelling Fund.”
“How old are you?” he asked in an even, very respectful tone.
“I’m sixty-nine years old. I’ll be seventy in October.” I didn’t mind telling my age. I was proud to have made it to be an old man. Besides, if I were agreeable enough, maybe they’ll leave a dollar tip. I remembered when a dollar was still a lot of money.
“Where did you grow up?”
“In Gainesville, Texas, north of Dallas and Fort Worth. It was a small town.”
“What was it like growing up?”
For some reason, I decided to talk about legal discrimination in the South of the 1950s and 1960s. I described segregated schools, whites-only restrooms and colored water fountains.
“I was so young I thought black people were getting free Kool-Aid and we weren’t.”
All the lovely young people gently laughed. This was odd because when I had told that joke before, people acted like they didn’t get it or if they did get it they didn’t think it was funny.
I told them I was called a N-word lover because I didn’t understand why black kids had to go to separate schools.
The lovely ladies in the group wrinkled their brows and murmured in sympathy.
At that point I said I didn’t know why I decided to talk about the cultural situation back at that time. I usually tried not to say anything that could be interpreted as being political. If I upset anyone, they wouldn’t leave a tip and I needed the gas money to get home.
“That’s all right.” The leader nodded and smiled. “We like to learn things.”
I became aware of an awkward pause in the conversation. Since they enjoyed asking me questions, I thought I’d ask them a few things. “So, are you visiting from another country?”
“No, we live here,” he replied.
“Then you must be from Tampa Bay?”
“Yes.” He nodded. “Orlando.”
Okay, I told myself. Nobody from Orlando, which was in the middle of the state of Florida, would ever think of themselves as being a part of Tampa Bay any more than they would say they were from Cape Canaveral. It was at this time I officially became uncomfortable.
“Are you doing a college research project or something?”
“No, we just like to ask questions.”
“How nice.” I smiled, thinking of the many Twilight Zone episodes where strange new people in town just liked to ask questions.
How the hell do I get rid of these weirdos?”
Maybe there was something wrong with me instead of them. Maybe I’ve watched too many Twilight Zone reruns. In either case, I felt it best to go into my usual spiel to prod visitors politely to move on.
“Thank you very much for dropping by and visiting with me. I hope you’ve enjoyed your day at Sweetfields Farm. Be sure to ride our tractor tricycles, shoot the potato cannon, play the water pump game and watch the pig races. You might also want to come back next October when we have the cornfield maze and pumpkin patch. I’ll be telling a new batch of stories then.”
The leader put away his cell phone. They stood and shook hands with me. Nice, firm, friendly handshakes from attractive young people with nice friendly smiles. They each put a dollar in my tip basket.
That night I told my son about my close encounter of the third kind as he was dressing for his night shift job. I asked him if I awoke in the middle of the night and found these young people dressed in white standing in an iridescent glow in the middle of my bedroom should I go with them to their spaceship.
“Sure,” he replied, “why not? But leave your credit card with me.”

Lincoln in the Basement Chapter Twelve

Previously in the book, Edwin Stanton has put the Lincolns and Gabby the janitor in the White House basement, as look-alikes take the president and first lady’s place upstairs. Their guard Adam Christy must tell Gabby’s sister Cordie, who works at a military hospital, that her brother won’t be coming home.
“Thank you, Miss Jessie,” a wounded soldier murmured as he looked up from his cot in the main ward of Armory Square Hospital, several blocks south of the Executive Mansion.
A tall, red-haired young woman with a beautiful smile mopped his brow with a cloth.
“You’re quite welcome, Sergeant, darlin’,” she replied in a thick Scottish brogue.
“You come early in the morning and stay late at night, all without pay. You must be blessed with a good family who supports you.”
“Aye, a good family they were.” A cloud passed over her face. “Both me mother and father have passed away, but—” she paused, searching for a word, and then continued, “me dear pa left a wee inheritance.” Her eyes wandered. “I’m sorry, darlin’; I have to walk Miss Cordie home. She’s so nervous about the dark.”
“She’s a sweet soul,” the sergeant said. He grabbed Jessie’s arm. “And you’re a sweet soul.”
Jessie smiled and walked toward Cordie, who was putting away her mop and pail. She hoped the sergeant was unaware she was rushing away from him—actually not him, but painful memories of her parents. Her mother died before the family was to set sail for America. While visiting neighbors along the rugged, barren Scottish coast, she had caught a chill which developed into pneumonia. Her father’s plan to go to New York City, where all three of them could find jobs, had gone awry, but he did not mourn the ruined plans as he knelt by his dying wife’s bed, sobbing. Jessie’s mother had gathered the last of her strength to reach for her daughter.
“Ye have to take care of the lad now, Jessie.” Her eyes were moist with tears. “I robbed the cradle when I married your pa, but I couldn’t help it—his bright red hair, his smooth handsome face—so I forgot he was ten years younger than me.” She gasped for air. “Take care of him. His strong body deceives the eye. He’s had more than his share of ills.” A wracking cough shuddered through her. “Please, take care of him.”
Shaking her head, Jessie did not want to dwell on that day. The pain of losing her mother paled against the sight of her father’s heaving and moaning while clinging to his wife’s corpse. When she reached Cordie, Jessie put on her biggest smile.
“Time to go, Miss Cordie,” she said.
“Dear me, it’s getting dark,” Cordie replied, her watery blue eyes lit up. “Thank you, Miss Jessie, for walking with me. I’m from New York; I know how dangerous a big city can be.”
Again Jessie’s brow wrinkled as she unsuccessfully fought the memories of her traumatic past. On the streets of New York, only six months before, a lunch basket on her arm, walking to the construction site where her father worked, making good money. With her salary cleaning fancy homes on Park Avenue, the family actually was building a nest egg. Every night after work, she and her father sat at their kitchen table, discussing where they wanted to live when they could afford to move, because New York City was too big and loud for their country background.
Jessie focused on a crowd gathering in front of her father’s construction site. Instinct or intuition caused her to run toward the mass of people, pushing her way through. Stopping short when she reached the center, Jessie saw her father, lying on the ground, a vacant gaze in his eyes and bit of foam on his blue lips.
“My God!” She knelt beside him and then looked up frantically at the crowd. “Someone, please, call for help!”
Finally, an ambulance rattled up behind a team of clopping horses. The medics knelt by Jessie in front of her father’s dead body. After a routine check of vital signs, they shook their heads.
“Are you family?” one of them asked.
“He’s me father.”
“I’m sorry. We’re too late.”
“I know.” Jessie looked down at her father. “I’ve seen people die before.”
“We can take him straight to the morgue where the coroner will fill out the death certificate; you sign an indigence form, and it will cost you nothing.”
“What’s an indigence form?”
“It says you’re out of money and releases the city to dispose of your father’s body as it sees fit.”
Jessie paused to comprehend his meaning. Usually she had no problem understanding exactly what a person said. Being from a village in the isolated highlands of Scotland, Jessie was even adept at reading between the lines of slyly phrased gossip from wrinkled old women who had nothing better to do with their time. The cold, official language the medic used belied the awful reality behind it. She blinked her eyes.
“You mean a potter’s field?”
“So to speak.” He looked down. “Don’t dwell on it, miss. You have enough sorrow to deal with as it is.”
A touch on the shoulder from Cordie brought her back to the ward, where several wounded soldiers were calling out good evening to her.
“All the men love you, you know,” Cordie whispered.
“God bless you, miss; and you too, ma’am.” And older man, stripped to the waist exposing bandages over flabby skin, reached out to touch Jessie.
“That’s why they love you.” As they reached the door, Cordie leaned into Jessie to say, “You treat the old, ugly men the same as you treat the young ones.” She paused. “Gabby was handsome when he was young.”

James Brown’s Favorite Uncle The Hal Neely Story Chapter Thirteen

Previously in the book: Nebraskan Hal Neely began playing the trumpet with Big Bands in the Midwest before moving on to California. After his time in the Army during World War II, he graduated from college and worked for Allied Record Manufacturing Company. He also worked part-time for Syd Nathan of King Records.
(Author’s note: Chapters written in italics denote Neely’s own words from his memoirs.)
Many people with “convenient memory” claim that Ralph Bass who worked for King discovered and put James Brown under contract, but it was I and not Ralph Bass. I was visiting King that day when a demo record arrived in the mail from Clint Brantley, a nightclub owner in Macon Georgia. The record featured a young man named James Brown.
James Brown was born in Georgia. His father James Joseph Brown joined the U.S. Navy when James was five years old. His mother abandoned him at the same time. Little James at the age of five went to live with his aunt Minnie who lived in the black ghetto of Macon, Georgia, where she ran a house of “ill repute.” He worked the streets shining shoes and “pimping” for Aunt Minnie to the soldiers from the Army camp near Macon. James grew up fast, learning the ways of survival.
At the age of 15 he was involved in a local gang street fight. A young boy was killed. Police conjectured that “this kid Brown hit him (the deceased) with a baseball bat” but young James was only charged with stealing car hubcaps and sentenced to three years in the Georgia prison system.
While James was in prison, his future friend and music associate Bobby Byrd brought his five-piece band from Toccoa, Georgia, Byrd’s hometown, to play a “freebie.” The prisoners shouted for the young James and his musical partner Johnny Terry whom he had met in prison. Byrd called them to the stage to play with his group.
James was soon transferred to the prison in Toccoa, Georgia, where he paroled for good behavior. Byrd’s mother signed papers with the prison to be legally responsible for him He worked as a janitor in her church and started playing drums, singing, and dancing with Byrd’s group, “The Five Royals”. (Author’s note: music historian John Broven says Bobby Byrd’s group was originally called The Gospel Starlighters and later used the names The Avons and The Flames.)1 They performed at local area dances and clubs. Johnny Terry got out of prison and came to Toccoa to join Byrd’s band.
Little Richard—who would later go on to national fame as a rock ‘n’ roll artist–played a club in Toccoa. The audience shouted for The Five Royals. They joined Richard on the stand and jammed with him. Richard was very impressed with the group. Little Richard was coming into fame and popularity, traveling most of the time. He was booked and managed by Mr. Clint Brantley who owned a black club in Macon, Georgia. Richard told Mr. Brantley about The Five Royals and it was arranged for them to come to Macon and audition for him. He liked the group which soon became the house band for his club. Simultaneously, Little Richard and his band went to Hollywood to record for Specialty Records. They stayed on the West Coast.
The Five Royals started earning popularity and a loyal fan following. It was soon evident that James Brown’s singing and dancing was the major star of the band. The band played several Little Richard “gigs” with James posing as Richard. The audience never caught on.
Mr. Brantley took The Five Royals to Macon’s black radio station where they cut a demo recording on “Please, Please, Please,” a song written by Johnny Terry. The local DJ sent the demo to Syd Nathan and King Records in Cincinnati.
“In my opinion,” Syd said, “that’s a horrible record, but that kid singing lead has something, and that song is a hit song.”
Also present at that meeting was Ralph Bass, an independent producer for King’s Federal label. Syd sent Bass to Macon to check out the group. Bass falsely claimed he signed the group to a Federal contract. However only Syd Nathan at that time could sign contracts for King and its subsidiary labels. Bass’s claim was invalid. (Author’s note: Broven points out Bass may have exaggerated his authority to sign contracts but his role in bringing Brown to Nathan’s attention is valid.)2
The Five Royals were planning a gig in Memphis in March. They drove, with no appointment, to Cincinnati to meet with Mr. Nathan. There was no studio time available. I was in Cincinnati recording Earl Bostic, an old friend from my Hollywood band days, that week. The Royals would have to come back.
On April 25, 1956, I was again in Cincinnati. As always I stayed in my room at Syd’s and Zella’s big house in the Jewish section of town. Syd and I met with The Five Royals. James claimed he was the leader and Bobby Byrd claimed he was. James rubbed Syd the wrong way, and Syd got mad.
“Hal, throw them out, unless you want to work something out and take them on.”
I believed in the group and took the boys to a room across from Syd’s office which I used when in Cincinnati. Utilizing my University of Southern California business law degree, I formed a limited partnership of the original five members with each member holding a 1% ownership, a group royalty rate of 5% on net paid sales paid directly to the each member of the group and on each record said member recorded with the group. The original contract was for three years with a King option to renew for an additional three years on the same terms and conditions.
I called Clint Brantley in Macon and asked him to be the group’s manager. King would pay him a royalty of 1%, same as each band member. The group would need a new name as there was another Five Royals. In the discussion someone mentioned the name The Famous Flames. That was it. I would be their producer at a 3% royalty. All royalties would be paid on a net paid sales basis. The Famous Flames would be released by King on its subsidiary Federal label.
On March 26, 1956, the group came back to Cincinnati, and we went into the King studio. I produced, and Eddie Smith was the engineer. We cut four sides. One song was “Please, Please, Please”. Syd liked it. The single record was released on the Federal label and was an instant hit in the R&B music charts, going to No. 3. (Author’s note: I have tried to respect the details of Neely’s memoirs; however, his recollection of the dates and the group’s name in this episode are obviously at odds. At one point he said he wrote the contract for Brown and the Flames—also identified as the Royals–on April 25, 1956 yet produced the record on March 26, 1956. Also he said he was in California for the birth of his son April 26, 1956. Historian Broven says the “Please, Please, Please” recording session was Feb. 4, 1956, and Ralph Bass was the producer.) 3


Footnotes
1 John Broven interview.
2 Ibid.
3 Ibid.